What yoga does for some people, music achieves for others. Sean Greenlee helps underserved children get access to private music lessons, expanding their horizons and view of what’s possible.
Greenlee, manager of Starbucks global social responsibility, got interested in the nonprofit Key to Change because his son, a freshman in high school, plays violin. “A lot of diverse kids don’t necessarily see being in an orchestra as a possibility for them,” said Greenlee, a three-year partner. The cost of renting an instrument and affording private lessons can be daunting, which is why professional violinist Quinton Morris launched Key to Change, with the goal of making violin lessons accessible to any interested child.
Greenlee served in the Navy for 10 years, where he internalized the importance of service to others, which he now translates to his position as president of Key to Change. “A lot of core values that we learn and the character that we build in the military carries over to our outside work,” said Greenlee. “I was drawn to Starbucks because of our focus on service. I serve in the company and I want to be able to continue to do that in my outside life as well.”
That’s a common sentiment, says Bill Rausch, executive director of Got Your Six, which is military slang for “I’ve got your back.” Got Your Six empowers veterans to lead a resurgence of community in the U.S. by encouraging them to volunteer, get to know their neighbors and vote.
“A lot of veterans miss the camaraderie and the shared purpose of the military,” said Rausch. “When they volunteer, they think, ‘Hey, we have a second service.’”
Got Your Six has crunched census data and discovered that veterans volunteer at higher rates than their civilian counterparts. The findings were hardly surprising to Rausch. “The idea is simple: By joining the military and serving your country, you leave the military more inclined to stay civically engaged.”
“Do you brush your teeth every day?” Quinton Morris asks four students in a small Maple Valley studio. “You’re teenagers,” he teases as eyes roll, “some of you probably don’t.”
“Playing with the metronome is like brushing your teeth,” he says.
Morris isn’t teaching high school health. He’s teaching beginning violin. And he’s drilling the basics — scales, hand placement, finger position and playing with a metronome every day.
The violin is a notoriously difficult instrument to play well and — for beginners — there are many sour notes and crooked bows.
“You need a lot of practice to become good at it,” says student Brian Nguyen.
Many beginners start in public school string classes. But often the best learning takes place with a private teacher, who can zero in on strengths and weaknesses and hone potential early on. But not all students can afford private lessons.
Cue Quinton Morris, associate professor and director of chamber and instrumental music at Seattle University.
Read the full article by Stephen Hegg from KCTS here.
With Key to Change—serving South King County—Morris pays forward generosity he received as a youth.
For Seattle University’s Quinton Morris, one of two tenured African-American violin professors in the United States, the violin is both an instrument and a seed. And with it Morris is growing a great forest—his most recent plot being south of Seattle, where he’s founded Key to Change, a violin studio with branches in Renton and Maple Valley for students of color with limited financial resources.
The studio’s origins began way back in the ’90s, when Hank Linear, then president of the Renton Black Parents Association, saw Morris had talent. Linear, through his organization, made it possible for Morris to attend college tuition-free and bought him his first violin. Now Morris wants to pay that generosity forward.
And the virtuoso has a lot to offer. Morris is a filmmaker and entrepreneur who this year toured nearly two dozen cities, from Asia to Africa, to perform, lecture, and screen his latest project, Breakthrough, a short film about the 18th-century violinist and composer Chevalier de Saint-Georges.
“I think I’ve always been a very detail-oriented person,” says Morris, sitting in his modest Seattle University office just north of the campus chapel and reflecting on the roots of his work ethic. “That’s been me since I was a little boy.”
Morris’ education started early. He learned to live both a creative and structured life by watching his father, a former director of housing in Illinois, and mother, a manager for the ombudsman office for King County, work diligently—and he intends to impart this ethic to his Key to Change students. “I didn’t realize at the time that those skills would prepare me for where I am now,” says Morris, who will receive the Governor’s Young Artist Award next month. “Having my own company and my own nonprofit just sounded like the next right thing.”
Key to Change, now accepting applications for lessons starting in November, aims to provide access to world-class private instruction to some 25 middle- and high-school students in South King County. Students will also participate in master classes taught by guest artists and attend workshops on the audition process, solo and ensemble preparation, and the college application process.
“A lot of people of color and people from low-income backgrounds are being pushed south of Seattle,” Morris says. “And unfortunately there are not very many resources there that are arts-related. I have the opportunity now–I’ve been very blessed–to give something back.”
Quinton Morris is a violin virtuoso who wants to give back. The Seattle University teacher grew up in Renton and fondly remembers the support he got from the community. He says that encouragement is important for people of color who want to be classical musicians. Morris told Jamala Henderson how he was often discouraged.
When Dr. Quinton Morris plays his violin for an audience, there’s no doubt he’s connected to the instrument. With his eyes closed, right hand on the bow, Morris seamlessly strings notes together creating a beautiful sound. The two are a fine-tuned team.
“It allows me the opportunity to be able to express myself in a way that I can’t any other way except on that instrument,” Morris said. “And that’s an honor.”
Morris has performed on stages across the world and teaches at Seattle University. In January, he is bringing his talents to a new audience in South King County.
Morris is opening Key to Change Studio, a music studio where he will teach middle and high school students violin in Renton and Maple Valley. The studio is open to everyone, but Morris is focused on students of color.
“I know what it’s like being a person of color and playing a European instrument. I understand the challenges that a 12- or 13-year-old or 14-year-old, 15 or whatever faces. I get it. Because that was me a long time ago,” Morris said. “I want to be able to provide assistance to students who can’t afford lessons. Who are really passionate about getting better on their instruments but just don’t have the necessary resources to afford it.”
The students who enroll in his classes will also work with Morris’ Seattle U students who will act as peer mentors, perform in quarterly recitals and attend workshops on the college application process. The school is currently accepting applications.
Morris’ schedule is full of activity. He says he works when everyone else is sleeping. He’s done a TEDx talk on artist entrepreneurship, performed in front of sold-out crowds at Carnegie Hall three times and received numerous awards and accolades.
Morris began playing the violin in the third grade when he was just 8 years old. At the time, all of his classmates played an instrument. In the coming years, his mother encouraged him to keep playing because she believed the violin would open doors for him.
“My mom always told me, ‘Look, play violin and keep your grades up; it’ll get you to college.’ She was right. She was so right,” Morris said. “She said, ‘You never know, it might take you around the world.’”
His mother’s words of encouragement became a self-fulfilling prophecy. In September, Morris wrapped up a world tour called “Breakthrough,” which took him around the globe to play for audiences in Australia, Malaysia and Tanzania, just to name a few. While flying to different countries, he still maintained his teaching responsibilities at Seattle University and got married. Morris described the experience of traveling the world as incredible. He was able to interact with people from different cultures he normally wouldn’t encounter.
“It was probably one of the most fulfilling things that I’ve ever done in my entire professional career. It was amazing on so many levels,” Morris said. “Working with children from all these different areas, understanding how they learn, how they are passionate about music. It changed me. It changed me in a way that a textbook or a book that I would’ve been reading never would’ve been able to do.”
The concerts he performed were innovative in that he shared classical music with each audience in a nontraditional way. Morris performed, lectured and showed a film at the end.
“I performed the music of this African French composer named Joseph Bologne, who is better known as the Chevalier de Saint-Georges,” Morris said. “This is a man who had such a huge influence on French classical music, fought in the French Revolutionary War, was born on the island Guadeloupe and had an enormous career. He’s credited as being one of the first Black classical musicians.”
He played the role of Chevalier de Saint-Georges in the film Morris and a crew shot at the Louvre and Versailles castle to tell the composer’s story.
In addition to performing in venues, Morris also celebrated 20 years of being cancer-free while on tour. He found out he had cancer shortly after turning 18.
“I had an advanced stage of Hodgkin’s lymphoma,” Morris said. “In every country I went to, I visited with families and sick children and played for them in hospitals. It was so great. It was so liberating.”
In November, he received the Young Arts Leader award from Gov. Jay Inslee. During the Arts and Heritage awards ceremony Morris played “Melodie” by Gluck. Then, with the help of a DJ, he transitioned into a hip-hop medley of songs by Beyoncé, Rihanna and Drake. Hearing R&B, pop and hip-hop on a violin is an unforgettable experience. Morris said it was a throwback to his days as a member and artistic director of Young Eight, a string octet of Black artists.
Morris credits his success with knowing who he is and what he has to offer.
“I think when you know what your life’s purpose is and when you know what you’re put on Earth to do, then you go after that,” Morris said. “I think that is why I’ve been able to do so many things because I’m always tapped into who I am. I’m always tapped into my personal and my professional mission.”
RENTON, Wash. – Even at a young age, Quinton Morris knew he was destined for greatness.
“I always knew the world was my oyster, and as cliché as that sounds, there was always this little voice inside of me,” Morris said.
That little voice told him nearly 30-years ago to pick up the violin.
“Or maybe the violin picked me, I don’t know,” Morris said.
As a young African-American growing up in Renton, he thanks his college professor for recognizing his talents.
“I didn’t really know any other African American violinist who played a professional level, Morris said. “She really inspired me and really taught me that there was this whole world that was just waiting for me to get out there and get in it.”
Morris is now considered a virtuoso on the violin. As a professional artist, he has played with the best symphonies and sold out Carnegie Hall three times as a soloist.
This past year, Morris embarked on a 9-month World Tour. He performed in France, Malaysia and Guadeloupe. He also shot a short film and introduced his passion to underprivileged kids.
“It caused me to reflect on how thankful I am, and how I have a really great life,” Morris said. “And having a great life can only be enriched if I give back.”
Today, Morris who is a tenured professor at Seattle University, not only wants to teach at the highest level, but he also wants to return to his roots where he believes is needed.
“It is needed everywhere, but it is really needed in King County,” Morris said.
At the end of this month, he will open two violin studios at community centers in Renton and Maple Valley, part of his Key to Change Project.
“It is needed because there are not a lot of people who look like me, who are African-American, who are a person of color, who play a European instrument,” Morris said. “Exposure is everything, because now they are able to say, there is somebody that looks like me and I could aspire to be like that too.
To help promote his foundation and studios, Morris will hold a concert this Saturday at the Ikea Performing Arts Center in Renton. The event begins at 7:30 p.m. and is free to the public.